The Presentation of the Blessed Virgin Mary: A Feast of Consecration, Promise, and Hidden Grace
Every year on November 21, the Catholic Church celebrates the Memorial of the Presentation of the Blessed Virgin Mary, a feast that commemorates the moment when the child Mary, at the tender age of three, was brought by her parents Joachim and Anne to the Temple in Jerusalem to be consecrated entirely to God. Though the event is not recorded in the canonical Scriptures, it has been venerated for centuries and is rooted in ancient Christian tradition preserved in the Protoevangelium of James and other early apocryphal writings. Far from being a minor or obscure commemoration, the feast carries profound theological weight: it reveals Mary as the living Temple, the firstfruits of redeemed humanity, and the model of total dedication to God’s will.
This article explores the historical origins of the feast, its liturgical development, its scriptural foundations (both direct and typological), the teaching of the popes and the Church throughout the centuries, and the rich spiritual meaning it holds for Catholics today.
Historical Origins and the Protoevangelium of James
The primary written source for the Presentation is the Protoevangelium of James (also called the Gospel of James), an apocryphal text dating to approximately 150–180 AD. Despite its non-canonical status, the Church has long regarded certain historical elements in this document—especially those concerning the early life of Mary—as reliable tradition. Chapters 7–8 describe how Joachim and Anne, having received Mary as the miraculous fruit of their old age, vowed to dedicate her to the Lord. When she turned three, they fulfilled their promise:
> “And the child was three years old… And they brought her into the temple of the Lord… And the priest received her and kissed her and blessed her, saying: ‘The Lord has magnified your name among all generations… And he placed her on the third step of the altar, and the Lord God sent grace upon her; and she danced with her feet, and all the house of Israel loved her.”
The image of the young Virgin ascending the Temple steps unaided and being received by the high priest has captivated Christian imagination for nearly two millennia. Early Christian communities in Jerusalem appear to have preserved oral traditions about Mary’s childhood, and by the sixth century a basilica dedicated to “Saint Mary of the Probatica” (near the Pool of Bethesda) was identified as the site where the Presentation took place.
The feast itself originated in the East. It was celebrated in Jerusalem as early as the sixth or seventh century under the title “The Entry of the Most Holy Theotokos into the Temple.” Emperor Justinian I built a church in honor of the event in 543, and by the eighth century the feast had spread throughout the Byzantine Empire, fixed on November 21—nine months after the Feast of the Nativity of Mary on September 8, symbolically mirroring the nine months of pregnancy.
In the West, the feast arrived much later. It was introduced at the Avignon Papacy in the fourteenth century and extended to the universal Church by Pope Sixtus IV in 1472. Pope Sixtus V later made it obligatory throughout the Latin rite in 1585, and it has remained on the calendar ever since, currently classified as a memorial.
Scriptural Foundations: Silence and Typology
One of the most common objections raised against the feast is the absence of any explicit mention of the Presentation in the four Gospels. Yet the Church has never required every liturgical commemoration to have direct canonical attestation. The infancy narratives of both Matthew and Luke are remarkably brief; they tell us virtually nothing about Mary’s childhood between her birth and the Annunciation. This “great silence” of Scripture is filled by sacred tradition—the living memory of the Church guided by the Holy Spirit.
Nevertheless, Scripture is far from silent when read typologically. The Presentation resonates deeply with several Old Testament figures and events:
1. The presentation of Samuel by Hannah (1 Samuel 1:24–28)
Hannah, long barren, promises that if God grants her a son she will “give him to the Lord all the days of his life.” After Samuel is weaned (traditionally understood as around age three), she brings him to the sanctuary at Shiloh and leaves him there to serve under Eli the priest. The parallels with Joachim and Anne are striking.
2. The consecration of virgins and the “women who served at the entrance of the Tent of Meeting” (Exodus 38:8; 1 Samuel 2:22)
Jewish tradition records that pious families sometimes dedicated daughters to lifelong service at the sanctuary. These women wove vestments, prepared incense, and lived in quarters attached to the Temple precincts.
3. The Ark of the Covenant entering the Temple
The Fathers of the Church loved to see Mary as the living Ark, containing not tablets of stone but the Word made flesh. The solemn entry of the Ark into Jerusalem under David (2 Samuel 6) prefigures Mary’s entry into the Temple.
4. Psalm 45 (44): “At your right hand stands the queen… the virgins in her train”
Early liturgies applied this royal wedding psalm to Mary’s presentation.
Saint Augustine, Saint John Damascene, and Saint Germanus of Constantinople all developed elaborate typological readings in their homilies for the feast, seeing Mary as the fulfillment of every Old Testament reality pointing toward the Incarnation.
Liturgical Development and Papal Teaching
Eastern Tradition
In the Byzantine rite, the feast is one of the twelve Great Feasts of the liturgical year (called the “Eisodos” or Entry). The hymns of the feast are among the most beautiful in the Byzantine repertoire. The Kontakion proclaims:
> “The most pure Temple of the Savior, the most precious Bridal-Chamber and Virgin, the sacred Treasury of the glory of God, is presented today in the house of the Lord. She brings with her the grace of the Divine Spirit.”
Saint John Damascene (d. 749) preached three magnificent homilies on the Presentation, emphasizing Mary’s absolute purity and her role as the bridge between the Old and New Covenants.
Western Popes and Magisterial Teaching
Although the feast came late to the Latin Church, several popes have highlighted its importance:
- Pope Sixtus IV (1471–1484) formally approved the feast and granted indulgences to those who attended services, comparing Mary’s presentation to the dedication of a new church building.
- Pope Saint Pius X (1903–1914) raised the rank of the feast from duplex to duplex secundae classis and composed a proper preface for the Mass that remains in use in the Extraordinary Form:
> “It is truly meet and just… that we should at all times and in all places give thanks unto Thee… Who didst preserve the most blessed Virgin Mary from all stain of original sin… and didst cause her, when yet a child, to be presented and to dwell in Thy temple, that she might be educated among Thy treasures and prepared to become in time the dwelling-place of Thy Son.”
- Pope Paul VI, in the 1969 revision of the calendar, retained November 21 as the Memorial of the Presentation, ensuring its continued celebration after Vatican II.
- Saint John Paul II frequently referred to the Presentation in his Marian catecheses. In a general audience of November 20, 1996, he said:
> “The Presentation of Mary expresses wonderfully the total consecration to God which characterized her entire existence… From her earliest years Mary belonged completely to God.”
- Pope Benedict XVI, in a homily on November 21, 2009, linked the feast to the Year for Priests, presenting Mary as the model of those who offer their lives entirely to God within the Temple of the Church.
Theological and Spiritual Meaning
1. Total Consecration from Childhood
The Presentation teaches that holiness is not reserved for adults who “decide” for God after a long discernment. Mary’s consecration begins in infancy, through the faith of her parents and her own free response (symbolized by her joyous ascent of the Temple steps). This underscores the Church’s teaching that God’s grace can sanctify a soul from the very first moment of existence (as seen preeminently in the Immaculate Conception).
2. Mary as the Living Temple
The Temple of Jerusalem was the dwelling-place of God’s glory (the Shekinah). When Mary enters and remains there, she herself becomes the new Temple—the pure space where God will one day pitch His tent among men. As the Second Vatican Council taught in Lumen Gentium 53, Mary is “the abode of all the divine perfections.”
3. Model for Consecrated Life
Religious sisters, brothers, and priests have always seen in the child Mary the perfect archetype of their own vocation. She leaves home, family, and the prospect of ordinary married life to live solely for God in the sacred precincts. Many women’s religious congregations celebrate November 21 as a special day of renewal of vows.
4. Education in Holiness
Tradition holds that Mary spent the next nine to twelve years in the Temple, occupied with prayer, manual work, and study of the Scriptures. This period of hidden formation prepared her for the Annunciation. Likewise, the Church reminds us that long years of quiet fidelity often precede great missions.
5. Icon of the Church
In the liturgy, the Church sees herself reflected in Mary presented in the Temple: called from the world, set apart, adorned as a bride, and destined to become the dwelling-place of God through the Holy Spirit.
The Feast in Art, Music, and Popular Devotion
The Presentation has inspired countless masterpieces:
- Titian’s magnificent painting in the Gallerie dell’Accademia in Venice shows the tiny figure of Mary ascending the vast staircase while a crowd watches in awe.
- Dante places the event in Paradise (Canto 32) as one of the crowning moments of salvation history.
- The Byzantine icon of the Eisodos remains one of the most reproduced Marian images in the Orthodox world.
- In the Roman rite, the traditional Mass texts (especially the Introit “Hail, holy Parent” and the Offertory verse) are drawn from the Book of Sirach (Ecclesiasticus) 24, applying to Mary the praises originally addressed to Divine Wisdom.
In many countries—Spain, Belgium, Poland, and parts of Latin America—November 21 is marked by processions of children dressed in white, symbolizing the young Virgin.
Why This Feast Still Matters Today
In an age that often views childhood as a time for unrestricted self-expression and fears any notion of “giving away” one’s future, the Presentation of Mary stands as a radiant counter-witness. It proclaims that the greatest human freedom is found not in keeping every option open, but in making an irrevocable gift of self to God. Mary’s “yes” did not begin at the Annunciation; it began on the day her parents carried her up the Temple steps and she, with infant joy, ran the rest of the way.
The feast also invites every baptized person to see the Church as the new Temple and themselves as called to dwell there spiritually—set apart, offered, transformed. As Pope Benedict XVI said in 2008:
> “Mary’s Presentation in the Temple shows us the path: to allow ourselves to be totally welcomed by God, so that we can be His dwelling-place and bring Him into the world.”
Sources
- Protoevangelium of James (chapters 7–8), ca. 150–180 AD
- Roman Martyrology, November 21 entry
- Saint John Damascene, Homilies on the Entry of the Theotokos into the Temple
- Saint Germanus of Constantinople, Oratio in Praesentationem Deiparae
- Pope Sixtus IV, Bull Cum Praeexcelsa (1472)
- Pope Saint Pius X, Decree adding proper preface (1911)
- Second Vatican Council, Lumen Gentium §53, 56
- Catechism of the Catholic Church §§ 963–964, 967
- Saint John Paul II, General Audience, November 20, 1996
- Pope Benedict XVI, Homily, November 21, 2009
- Byzantine Menaion, Feast of the Entry of the Theotokos (November 21)
- The Roman Missal (1962 & 1970 editions), Mass of the Presentation
- Émile Amann, Le Protoévangile de Jacques et ses remaniements latins (Paris, 1910)
- Michael O’Carroll, C.S.Sp., Theotokos: A Theological Encyclopedia of the Blessed Virgin Mary (Wilmington, 1982)
- René Laurentin, The Presentation of the Virgin: History and Theology of the Feast (Paris, 1957)

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