Hate, Xenophobia, Envy & Fake News is Behind Attacks Against Bad Bunny

The Pushback and Boycott Against Bad Bunny: A Reflection of Historical Prejudice, Cultural Envy, and Political Hypocrisy

Bad Bunny, born Benito Antonio Martínez Ocasio in 1994 in Puerto Rico, has emerged as one of the most influential and successful artists in contemporary music. His rise to global stardom is marked by unprecedented achievements, including becoming the first artist to win a Grammy for Album of the Year with a Spanish-language album, "Debí Tirar Más Fotos," in 2026. He has amassed over 100 million equivalent album sales, surpassed 100 billion streams on Spotify, and been named Spotify's most-streamed artist globally four times, with 19.8 billion streams in 2025 alone. 

His music, blending reggaeton, Latin trap, and other genres, has not only dominated charts but also elevated the Spanish language and Puerto Rican culture on the world stage. Yet, this success has been met with significant pushback and calls for boycotts, particularly surrounding his selection as the headliner for the Super Bowl LX halftime show in 2026. This backlash is not isolated; it echoes deep-seated historical prejudices against Puerto Ricans in the United States, intertwined with racism, xenophobia, cultural envy, and political hypocrisy.

The controversy intensified when the NFL announced Bad Bunny's performance in late September 2025. Conservative figures, including President Donald Trump, House Speaker Mike Johnson, and commentators like Tomi Lahren, lambasted the choice. Trump called it "absolutely ridiculous" and a "terrible decision," while Johnson echoed similar sentiments. Right-wing organization Turning Point USA (TPUSA) responded by organizing an "All-American Halftime Show" featuring Kid Rock, billed as a celebration of "American faith, family, and freedom." Social media erupted with calls to boycott the NFL's halftime, with users citing Bad Bunny's criticism of U.S. immigration policies, his "ICE out" statement at the 2026 Grammys, and false claims that he is not American or is illegal. This reaction highlights a broader pattern of exclusion, where Bad Bunny's Puerto Rican identity and advocacy for immigrants are weaponized against him.

 Historical Context: Hate Against Puerto Ricans in the United States

The animosity toward Bad Bunny cannot be understood without examining the long history of discrimination against Puerto Ricans in the U.S. Puerto Rico became a U.S. territory in 1898 following the Spanish-American War, and its residents were granted U.S. citizenship in 1917 via the Jones Act. However, this citizenship has often been second-class, with Puerto Ricans facing systemic racism and exclusion on the mainland. Migration to the U.S. surged in the mid-20th century, driven by economic hardship on the island, leading to large communities in cities like New York and Chicago. These migrants encountered poverty, unemployment, and racial discrimination, particularly darker-skinned Puerto Ricans who were often treated as outsiders despite their citizenship.

Non-Hispanic Caucasians have historically viewed Puerto Ricans through a lens of racial inferiority. In the 1940s and 1950s, organizations like the New York State Commission Against Discrimination (SCAD) documented workplace bias, where Puerto Ricans filed complaints about unequal treatment compared to Italian Americans. Housing discrimination was rampant; Puerto Ricans paid higher rents and were rejected based on their ethnicity. This "redlining" extended to government policies, excluding Puerto Rican and Black neighborhoods from subsidies and improvements. Scholar Alejandro L. Madrid notes that this treatment stems from U.S. imperialism, which deformed Puerto Rico's economy and fostered dependency, blaming Puerto Ricans for their own poverty.

Even among some African Americans, tensions exist. While Puerto Ricans and Blacks collaborated in urban struggles, including the creation of hip-hop, disputes over cultural ownership persist. Some African American figures, like Lord Jamar and Tariq Nasheed, deny Puerto Ricans' co-creator role in hip-hop, claiming it as exclusively Black American. This overlooks historical facts: Puerto Ricans were instrumental in breakdancing (e.g., Rock Steady Crew), DJing (e.g., DJ Charlie Chase), and graffiti. KRS-One counters this, stating that Puerto Ricans, Jamaicans, and Black Americans collectively birthed hip-hop in the Bronx. Such claims reflect internalized divisions, where shared oppression is overshadowed by competition for cultural credit.  

Nevermind that Black history was preserved and promoted not by an African American, but by an Afro Latino Puerto Rican named Arturo Alfonso Schomburg born in Santurce, Puerto Rico who was a historian, writer, bibliophile and philomath.  Puerto Ricans are part of the African/Black diaspora. 

This history of hate manifests in modern xenophobia, where Puerto Ricans are still seen as "not real Americans." Bad Bunny, a U.S. citizen by birth, is falsely labeled "illegal" or "alien," echoing the colonial subjugation that treats Puerto Rico as a possession rather than an equal part of the nation.

See more on these topics here:

https://www.sacerdotus.com/2024/02/erasure-of-puerto-ricans.html

https://www.sacerdotus.com/2013/10/puerto-ricans-forgotten-citizens.html

https://www.sacerdotus.com/2023/08/puerto-ricans-co-creators-of-hip-hop.html

https://www.sacerdotus.com/2023/06/forget-puerto-ricans-pride-is-better.html

https://www.sacerdotus.com/2025/10/eric-dickersons-ignorant-rant-telling.html

https://www.sacerdotus.com/2024/06/microphone-check-mockumentary-that.html

https://www.sacerdotus.com/2025/06/the-forgotten-puerto-rican-parade.html

 Racism and Xenophobia from MAGA and Right-Wingers

The boycott against Bad Bunny is steeped in MAGA-driven racism and xenophobia. Critics spread misinformation, calling him "not American," "illegal," "gay," or "communist," despite his Puerto Rican birthright citizenship. Bad Bunny's advocacy against ICE raids and for immigrant rights, including his "ICE out" Grammy speech—"We're not savage, we're not animals, we're not aliens. We are humans and we are Americans"—has fueled this ire. He canceled U.S. tour dates in 2025 fearing fan deportations, yet made an exception for the Super Bowl.

MAGA figures like Kristi Noem threatened ICE presence at the show, and Lahren claimed he's "not an American artist." Social media posts from users like @Chicago1Ray and @ACTBrigitte amplify this, calling for boycotts and labeling him anti-American. This rhetoric polices "Americanness," excluding non-English speakers or those challenging policies. The alternative show with Kid Rock is coded as "All-American," implying "All white," reinforcing exclusion.

Bad Bunny's gender-nonconforming style—wearing dresses, advocating for women's rights—draws homophobic attacks, labeled "gay" derogatorily. This intersects with xenophobia, portraying him as a threat to "traditional" values.

 Parallels with Jose Feliciano

Bad Bunny's experience mirrors Jose Feliciano's 1968 World Series national anthem performance. The blind Puerto Rican singer's Latin jazz-infused rendition was booed and called "unpatriotic" and a "travesty." Amid Vietnam War tensions, it was seen as protest, damaging his career temporarily. Feliciano intended appreciation for America, but his cultural twist was rejected, highlighting intolerance for non-traditional expressions from minorities. Similarly, Bad Bunny's Spanish-language performance and activism are deemed un-American.

 Internal Hate from Hispanics: Envy and Jealousy

Surprisingly, some Hispanics criticize Bad Bunny, despite his advocacy for Latinos and immigrants. This stems from envy, as no artist from Mexico, Argentina, Central/South America, Dominican Republic, or Cuba matches his success. Bad Bunny's achievements—first Latin male Super Bowl headliner, multiple Grammys—highlight Puerto Rico's disproportionate cultural impact.

Eduardo Verastegui exemplifies this. The Mexican actor criticized Bad Bunny's Grammy win, calling his music "toxic noise" and hypocritical for promoting "savage instincts" while advocating humanity. As a devout Catholic, Verastegui's attacks lack humility, crossing into incivility. Raúl de Molina rebuked him, reminding Verastegui of his immigrant roots and urging support for a fellow Latino elevating the community. This internal trashing ignores Bad Bunny's role in representing Hispanics globally.  Kudos to long-time Spanish television personality Raul De Molina of "El Gordo y la Flaca," who spoke out in defense of Bad Bunny calling out Verastegui's narrow view and hypocrisy.  

Many prominent figures have stepped forward to defend Bad Bunny amid widespread criticism, highlighting his cultural impact, advocacy for immigrants and Puerto Rican identity, and role in fostering global respect for Puerto Ricans. Television host Raúl de Molina, on El Gordo y La Flaca, forcefully rebuked Mexican actor Eduardo Verástegui's attacks on Bad Bunny following his 2026 Grammy win and pro-immigrant speech, reminding Verástegui of his own immigrant roots from Mexico and condemning the hypocrisy of an immigrant opposing others' defense of vulnerable communities. De Molina passionately argued that Bad Bunny is simply standing up for immigrants—calling out the sadness of those who forget their origins and turn against their own—and urged greater empathy and solidarity among Latinos. 

In a similar vein, Archbishop Roberto Octavio González Nieves of San Juan, Puerto Rico, previously praised Bad Bunny as a modern "phenomenon" and "troubadour of our time," describing his personal life as "impeccable" up to that point and celebrating the pride he inspires among thousands of young Catholic Puerto Ricans, even as the archbishop later apologized for the phrasing amid conservative backlash to underscore the artist's widespread following and positive cultural resonance(El arzobispo de San Juan pide perdón por sus expresiones sobre Bad Bunny | Otros | elvocero.com). 

Echoing this spirit of appreciation, another Puerto Rican bishop—Ángel Luis Ríos Matos of Aguadilla—has highlighted Bad Bunny's emotional, heartfelt expressions of love for the island, noting how the artist brings dignity and worldwide recognition to Puerto Rican culture and identity through his music and public stands ((8) Video | Facebook). These voices align with Bad Bunny's own lyrics in tracks like "Lo Que Le Pasó a Hawai'i," where he warns against Puerto Rico losing its essence to external exploitation and overdevelopment, much like Hawaii's experience, emphasizing the need to hold onto cultural roots, the flag, and traditions to prevent the island from becoming a diluted paradise for outsiders rather than a thriving home for its people; supporters see this as a powerful call for preservation that elevates Puerto Rican pride on the global stage.

 Attacks on His Voice and Cultural Narcissism

Critics dismiss Bad Bunny's voice as "trash," failing to appreciate reggaeton's unique intonation. This mirrors unfamiliarity with opera, which some find "annoying" due to cultural exposure gaps. Such judgments reveal racism and cultural narcissism, where non-white, non-English expressions are deemed inferior. Bad Bunny's success forces recognition of diverse aesthetics, challenging supremacy narratives.

Puerto Ricans have upheld the Latino banner, from hip-hop contributions to modern icons like Bad Bunny, where other groups lag.

 Conservative Hypocrisy and Double Standards

MAGA supporters attack Bad Bunny's "morally questionable" lyrics but endorse Kid Rock, whose songs are vulgar and controversial. Kid Rock's "Cool, Daddy Cool" references underage girls—"Young ladies, young ladies, I like ’em underage"—endorsing pedophilia. His explicit rants, like against Oprah, include slurs and misogyny. Yet, he's hailed as an "alternative" to Bad Bunny. This double standard is rooted in racism: they tolerate vulgarity from white artists but condemn it from non-white ones, hating anything not "white, boring, and bland."

The "All-American" counter-show is exclusionary code, ignoring America's diversity.

 Celebrating Bad Bunny's Achievements

No artist has achieved as much in such a short time as Bad Bunny. His albums top charts, tours gross billions, and he promotes Spanish variations globally. As Americans, we must value the First Amendment without attacking minorities exercising it. Other Hispanics should cease envy and celebrate; Bad Bunny voices their cultures too.

In conclusion, the boycott against Bad Bunny is a microcosm of enduring prejudices. It underscores the need for unity, rejecting jealousy and hypocrisy to appreciate his contributions.

 Sources

- Rutgers University: Puerto Rican New Yorkers and Anti-Discrimination.

- Bad Bunny's defense of Puerto Rico takes a prayerful turn

- Library of Congress: In Spanish Harlem.

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- History.com: Anti-Latino Discrimination.

- ScienceDirect: Internalized Racism in Puerto Rican Diaspora.

- Foreign Affairs: Race Relations in Puerto Rico.

- Raúl de Molina responds to Eduardo Verástegui's Bad Bunny criticism: 'You’re Latino. You’re Mexican'

- USCCR: Puerto Ricans in the Continental US.

- Wikipedia: Racism in Puerto Rico.

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- BBC: Bad Bunny at Super Bowl.

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- ABC4 Utah: Utah Likely to Boycott.

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- Times of India: Prominent Reverend Boycotts.

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- MLB: Jose Feliciano's Anthem.

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- WBUR: Performance Changed Life.

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- WEAR-TV: Leavitt on Trump.

- Reddit: Bad Bunny Sticks It.

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- Instagram: Is Bad Bunny American? 

- The Athletic: Bad Bunny Isn't Touring.

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- YouTube: Grammys 2026.

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- Reddit: NFL Boss Stands By.

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- Facebook: Class Discussion.

- Instagram: Reaching Him.

- Instagram: Proud to Join.

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- HOLA: SNL Skit Explained.

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- Facebook: Latinos Stand Up.

- TikTok: Bad Bunny's Performance.

- YouTube: Akademiks & Vlad.

- HOLA: Raúl Responds.

- Hungama Express: Verástegui Criticises.

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- Daily Jang: Verastegui Targets.

- YouTube: Verastegui Slams.

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- Yahoo: Arremete Contra.

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- X: Bad Bunny Hate.[post:110]

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'What's Happening'!! Actor Danielle Spencer Dead at 60

Tribute to Danielle Spencer: A Life of Talent, Resilience, and Compassion

Today, we mourn the loss of Danielle Spencer, beloved for her iconic role as Dee Thomas on the 1970s ABC sitcom What's Happening!! and its sequel What's Happening Now!! Spencer passed away on August 11, 2025, at the age of 60 in a Richmond, Virginia hospital after a courageous battle with cancer. Her vibrant spirit, trailblazing career, and inspiring resilience leave a lasting legacy that will continue to touch hearts.

Biography

Born on June 24, 1965, in Trenton, New Jersey, Danielle Spencer grew up in the Bronx, New York, raised by her mother, Cheryl Pelt, and her stepfather, Tim Pelt, whom she considered her father. Her stepfather, an actor himself, introduced her to the world of performing arts at a young age. By age seven, Spencer began acting, landing uncredited roles in films like Serpico (1973) and Harry and Tonto (1974). At just 11 years old, she auditioned for and won the role of Dee Thomas on What's Happening!!, a groundbreaking sitcom that was among the first to center on the lives of Black teenagers in the Watts neighborhood of Los Angeles. The show, loosely based on the 1975 film Cooley High, became a cultural touchstone, and Spencer’s portrayal of the sassy, quick-witted Dee, known for her signature catchphrase “Ooooh, I’m gonna tell Mama!”, made her a household name.

Tragically, during the production of the show’s second season in 1977, Spencer and her stepfather were involved in a severe car accident on the Pacific Coast Highway in Malibu, California. The crash claimed Tim Pelt’s life and left Spencer in a coma for three weeks, with injuries including a broken leg, arm, and pelvis. She spent six months in physical therapy, demonstrating remarkable strength to return to acting. After What’s Happening!! ended in 1979, Spencer and her mother briefly relocated to the Ivory Coast before she returned to pursue higher education. She later reprised her role as Dee in What’s Happening Now!! (1985–1988), appearing in 16 episodes while attending college.

Spencer’s determination extended beyond acting. Inspired by her stepfather’s encouragement, she pursued veterinary medicine, earning a bachelor’s degree from the University of California, Davis, and a doctorate from Tuskegee University Veterinary School in 1993. She became a licensed veterinarian in 1996, practicing in Santa Clarita, California, and later in Richmond, Virginia, where she moved in 2014 to be closer to family. Spencer also made occasional acting appearances, including a role as a veterinarian in the 1997 film As Good as It Gets and in the 2001 short film Peter Rabbit and the Crucifix.

Accomplishments in Acting and Personal Life

Danielle Spencer’s role as Dee Thomas was a landmark in television history. As the first Black female child star to have a regular role on a network TV series, she broke barriers and inspired generations. Her performance earned her a place in the Smithsonian’s National Museum of African American History and Culture in 2014, an honor she described as humbling in a 2016 interview with a Richmond TV station. She reflected, “I seriously can’t even digest it... to be featured in this museum along with other shows that have been trailblazers.” Her work on What’s Happening!! (64 episodes) and What’s Happening Now!! (16 episodes) remains celebrated for its humor and cultural significance.

Beyond acting, Spencer’s accomplishments as a veterinarian showcased her compassion and dedication. She hosted pet care segments on WTVR-TV in Richmond and advocated for animal rights, drawing from her own experiences with spinal injuries to emphasize holistic animal care. In 2012, she told People magazine that her perspective shifted from simply alleviating animals’ pain to addressing underlying causes, a philosophy shaped by her own health challenges.

Spencer’s personal life was marked by resilience and creativity. She married Garry Fields in 1999, though they divorced in 2013, and later married David L. David in 2014. She also ventured into fashion, launching the “Dani Collection,” a clothing line inspired by her personal style. Her 2012 book, Through the Fire: Journal of a Child Star, detailed her journey as a child actor and her triumphs over adversity, earning her appearances on shows like The Wendy Williams Show and Unsung Hollywood. In 2006, she and Little House on the Prairie’s Alison Arngrim won the TV Land Award for “Character Most in Need of a Time-Out,” a nod to Dee’s mischievous charm.

Health Challenges and Cause of Death

Spencer faced significant health struggles throughout her life. The 1977 car accident left her with lasting spinal and neurological issues, including spinal stenosis diagnosed in 2004, which caused partial paralysis for eight months. She underwent multiple surgeries, including a 2018 emergency procedure to remove a bleeding hematoma linked to the accident. In 2014, Spencer was diagnosed with breast cancer, a shock given her family history and previous health battles. She opted for a double mastectomy and underwent chemotherapy, which was complicated by her prior injuries. Though she was declared cancer-free for a time, Spencer succumbed to cancer on August 11, 2025, as confirmed by her co-star Haywood Nelson and family spokesperson Sandra Jones. The specific type of cancer was not disclosed, but her long fight was marked by courage, as Nelson noted: “She suffered for a very long time but did it with a great deal of courage.”[](https://www.independent.co.uk/arts-entertainment/tv/news/danielle-spencer-death-whats-happening-actor-b2806317.html)[](https://www.hollywoodreporter.com/tv/tv-news/danielle-spencer-dead-whats-happening-1236342214/)

A Lasting Legacy

Danielle Spencer was more than Dee Thomas; she was a daughter, sister, aunt, veterinarian, and advocate who faced life’s challenges with grace and positivity. Her brother, jazz musician Jeremy Pelt, paid tribute on Instagram, writing, “She was a friend, an auntie to my three children who adored her, she was a daughter—and in many ways, my mother’s best friend... And she was MY sister and protector.” Her co-star Haywood Nelson called her “our brilliant, loving, positive, pragmatic warrior,” adding, “Danielle is loved. She will be missed in this form and forever embraced.”[](https://abcnews.go.com/GMA/Culture/whats-happening-star-danielle-spencer-dies-60/story?id=124582939)[](https://www.usatoday.com/story/entertainment/celebrities/2025/08/12/danielle-spencer-whats-hapenning-dead/85628099007/)[](https://www.hollywoodreporter.com/tv/tv-news/danielle-spencer-dead-whats-happening-1236342214/)

I enjoyed watching What's Happening!! with my sisters as a kid, and enjoyed it very must.  It was a clean show that was hilarious and gave us a perspective of the Black community in a positive light.  Spencer’s legacy lives on through her groundbreaking contributions to television, her compassionate work as a veterinarian, and her unwavering spirit. She inspired countless fans with her talent and resilience, reminding us to face life’s trials with courage and to find joy in making a difference. Rest in peace, Danielle Spencer—your light will continue to shine.

Sources: 

Information compiled from ABC News, USA Today, Wikipedia, The Independent, Rolling Stone, PBS News, Collider, The Hollywood Reporter, and posts on X.[](https://abcnews.go.com/GMA/Culture/whats-happening-star-danielle-spencer-dies-60/story?id=124582939)[]

(https://www.usatoday.com/story/entertainment/celebrities/2025/08/12/danielle-spencer-whats-hapenning-dead/85628099007/)[]

(https://en.wikipedia.org/wiki/Danielle_Spencer_%28American_actress%29)

Sneaks: A Fresh and Fun Animated Adventure for the Whole Family

Sneaks: A Fresh and Fun Animated Adventure for the Whole Family

I took my nephew and sister to the AMC Theater to catch Sneaks, the new animated film that hit theaters on April 18, 2025, and we had an absolute blast! Directed by Rob Edwards and Christopher Jenkins, this quirky sports comedy about talking sneakers brings a vibrant, heartwarming story to life with a stellar voice cast and a soundtrack that had us grooving in our seats. With themes of family, courage, and embracing your purpose, Sneaks is a delightful ride that sneaker fans and families alike will love.

A Creative Story with Heart and Soul

Sneaks follows Ty (voiced by Anthony Mackie), a pristine designer sneaker who dreams of being admired on a pedestal, and his sister Maxine (Chlöe Bailey), who longs to be worn and scuffed up while helping her owner achieve greatness. The siblings, a pair of exclusive gold-and-white Alchemy 24s, are won in a raffle by Edson (Swae Lee), a young basketball player with big dreams. But when a shady sneaker collector, The Collector (Laurence Fishburne), steals them, Ty and Maxine get separated, kicking off a thrilling adventure through New York City to reunite and return to Edson.

What makes this movie so special is its fresh take on sneaker culture—a world where shoes have personalities, emotions, and dreams of their own. Ty’s journey from a self-obsessed sneaker to a courageous brother who learns the value of hard work and connection is genuinely touching. My nephew loved the idea of talking shoes, especially when Ty teams up with J.B. (Martin Lawrence), a street-smart sneaker who helps him navigate the city. My sister appreciated the sibling bond between Ty and Maxine, which mirrors the real-life closeness and occasional rivalry siblings experience. For me, the film’s message about stepping out of your comfort zone and embracing life’s scuffs as badges of honor really hit home.

A Star-Studded Cast That Shines

The voice cast of Sneaks is a powerhouse, bringing energy and heart to every character. Anthony Mackie delivers a perfect mix of humor and vulnerability as Ty, making his transformation feel earned and relatable. Chlöe Bailey’s Maxine is full of spunk and determination, a great role model for kids watching her fight to fulfill her purpose. But the real standout for us was Martin Lawrence as J.B.—his comedic timing had the whole theater laughing, especially during a scene where he trash-talks another sneaker with the line, “Your mama is from Payless!” My nephew couldn’t stop giggling, and I have to agree with reviewers like Nell Minow from RogerEbert.com who called this one of Lawrence’s best movie performances.

The supporting cast, including Swae Lee, Laurence Fishburne, and a lineup of musicians like Macy Gray and Mustard, adds a rhythmic flair to the film. The mostly Black and Latino voice cast also brings authentic cultural representation, celebrating sneaker culture’s deep roots in urban communities. It’s a joy to see a film that reflects diversity so naturally while telling a universal story about family and friendship.

Visuals and Music That Pop

The animation in Sneaks is a treat, capturing the bustling energy of New York City with a vibrant, stylized look. The sneaker designs are clever—their laces act as arms, and their hops and flips give them so much personality. A highlight for us was the Busby Berkeley-style musical number where shoes dance in perfect sync, their laces twirling like arms in a dazzling display. My nephew was mesmerized, shouting, “Look at them dance!” The city settings, from basketball courts to Central Park, feel alive, and the hip-hop-infused score by Terrace Martin, paired with original songs by Mustard, had us all tapping our feet. The soundtrack’s rap, hip-hop, and R&B beats perfectly complement the film’s urban vibe, and as one X user put it, it’s “one of the best soundtracks since Into the Spider-Verse.”

A Family-Friendly Experience with a Positive Message

Watching Sneaks at AMC was a fantastic family outing. The theater was filled with kids and parents, many wearing their coolest sneakers, creating a fun, communal atmosphere. The film’s 90-minute runtime kept my nephew engaged the whole time, and the comfy AMC seats made it a cozy experience for my sister and me. We shared a bucket of popcorn and laughed together at the sneaker puns, like Ty’s dream of a “motorized turntable with some dope lighting” for his pedestal.

What I loved most about Sneaks is its wholesome message. The film teaches kids about courage, teamwork, and the importance of family through Ty and Maxine’s journey. As Common Sense Media noted, the movie highlights these values with “mostly lighthearted fun for families,” with only a few perilous moments—like a dog chase and a sneaker being cut in half—that might startle younger viewers but are handled with care. There’s no foul language (just one “OMG”), making it a great pick for family movie night.

Why You Should See It

Sneaks may not have the big-budget polish of a Pixar film, but its heart, humor, and cultural flair make it a standout. It’s a love letter to sneaker culture, showing how shoes can be more than just footwear—they’re symbols of identity, creativity, and community. The film’s diverse cast and positive messages about stepping out of your comfort zone resonate deeply, and the music and animation bring a fresh energy that’s hard to resist.

My nephew, sister, and I left the theater buzzing with excitement, already planning to rewatch Sneaks when it hits streaming. My nephew called it “the coolest movie ever,” my sister loved its family themes, and I couldn’t get enough of the soundtrack and Martin Lawrence’s hilarious performance. The movie resonates with urban youths, particularly Black and Latinos from NYC. They will better relate to the movie than other ethnic groups. Nevertheless, the movie is fun for all. If you’re looking for a fun, feel-good movie that celebrates family, friendship, and finding your purpose, Sneaks is a perfect fit. Grab your favorite kicks and head to the theater—you won’t be disappointed! What did you think of Sneaks? Let’s chat in the comments!